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He had thus fled the kingdom of his father Polybus. However, Oedipus is so disturbed by what is occurring in Thebes that he even considers returning to his home city. Jocasta makes him more resolute though, and he stays. Creon returns from the Oracle at Delphi with the instruction that Thebes needs to avenge the death of the former king Laius for the plague to end. Oedipus utters an ironic curse on the yet unrevealed killer, by wishing for him "the crimes that I have fled from".

The prophet Tiresias appears and is asked by Oedipus to make clear the meaning of the oracle. He then proceeds to carry out a sacrifice, which contains a number of horrific signs. As Tiresias does not have the name he proposed to summon Laius' spirit back from Erebus to name his slayer.

Creon returns from seeing Tiresias after he has spoken to Laius' ghost, but is unwilling to reveal to Oedipus the killer's name. Oedipus threatens him, and then Creon relents. He says Laius accuses the king of having blood on his hands, and who "has defiled his father's marriage-bed". He goes on to say that Laius promises the plague will cease if the king is expelled from Thebes. Creon advises Oedipus to abdicate , but Oedipus believes that he has invented this story, along with Tiresias, in order to seize his throne.

Despite Creon's protestations of innocence, Oedipus has him arrested. Oedipus is troubled by the faint memory of a man whom he had killed on the road whilst coming to Thebes for behaving arrogantly before him. An elderly messenger comes from Corinth to tell Oedipus that his father King Polybus has died and for him to come and take his throne. He does not want to return as he still fears the prophecy that he will marry his mother.

The messenger then tells him that Corinth's queen is not his mother, and that he was given Oedipus as a baby on mount Cithaeron. Oedipus then learns, after threatening the shepherd that gave him away, that he is in fact Jocasta's son. A messenger gives the news that Oedipus considered killing himself and having his body thrown to wild beasts, but then he felt that his crime deserved something worse due to the suffering Thebes has been going through.

He decided to find a slow death for himself. He wanted a punishment where he would neither "join the number of the dead nor dwell among the living". The messenger goes on to explain how Oedipus tore out his eyes with his hands.

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The chorus question fate, each persons "commanding thread of life" and then hear Oedipus entering. He enters with both eyes removed and is confronted by Jocasta. She realises from his action that she must punish herself for her crimes as he has. She takes his sword and kills herself with it while on stage.

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The chorus at the end of Act 1 give an account of the plague, and its development. At the end of Act 2 they give an account of Bacchus who was the patron god of Thebes. At the end of Act 3 they recount earlier horrific occurrences connected with Thebes. However, at the end of Act 4 they become more philosophical and praise living life along "a safe middle course" rather than being ambitious. They therefore relate the story of Icarus as a parable of a person who flew too high. They do however make clear that no one is able to alter their fate. This second point is made much more forcefully in a speech by them in Act 5, and they stress that neither God nor prayer can alter the life that is predestined for the individual.

This view of fate is contrary to the teachings of Stoicism , which hold that fate and divinity are the same. Also the view of fate as arbitrary, rather than rational and benign, is not part of the Stoic cosmological view. Along with Seneca's other plays, Oedipus was regarded as a model of classical drama in Elizabethan England. He said of the play "mark thou Review Paper First Online: 09 September This process is experimental and the keywords may be updated as the learning algorithm improves.

The Duality of Oedipus in Yeats

This is a preview of subscription content, log in to check access. Arkins, B. Google Scholar. Gerrards Cross: Smythe. Newbridge: Goldsmith. Irish Appropriation of Greek Tragedy. Dublin: Carysfort Press. Borges, J. New York: Modern Library. Burke Kennedy, M. Unpublished typescript. Burkert, W. Greek Religion , tr. Clarke, D. Philadelphia: American Philosophical Society.

Doyle S. Oedipus Loves You.

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Sophocles: A Short Summary; Oedipus the King, Oedipus at Colonus, and Antigone

Goldhill, S. Cambridge: Cambridge University Press , pp. CrossRef Google Scholar. Grennan, E. Oedipus at Colonus.


New York: Oxford University Press. Jebb, R. Sophocles, Oedipus Tyrannus , 2nd ed.